So after my slightly less than stellar experience in the ruins of Old Sukothai (and the making of some new Dutch friends while watching the Brazil-Holland game on Friday night) I set out Saturday morning for a similar kind of adventure but one that would turn out to be much different in several key ways.
North of Sukothai by about 50 km or so is a small village called Si Satchanalai. There are probably no more than a few thousand people living there between the muddy Mae Nam Yam River and the highway.
I hopped on a early bus to Chiang Mai and told them where I wanted to get off. After about an hour the bus pulled over and the conductor told me this was my stop. There were a few small houses and shops along the highway and one lonely sign that pointed though a small archway and said “Si Satchanalai Historical Park”. I walked down a narrow sidewalk between more little bodega-type shops and homes until I came to this:

I knew then that this day would be very different from the last.
I crossed the bridge – which in the end wasn’t all that rickety but swayed and wobbled just as much as you please – and saw a large wat with two huge chedis. One in the multi-faceted Khmer style and another in the smooth, bell-shaped Sinhalese style. Just on the other side of the bridge was a small corrugated metal booth. A little window swung open and a kindly looking older woman poked out her head and said with a smile, “Sawaidee kap! 20 baht, please!” Yeah! Now that’s what I’m talkin’ about!
She even told me that there was no extra charge for bringing in a rented bicycle. I asked where I could rent one and after a few misfires I realized that she was directing me to a little tchotchke stall where another woman arranged to rent me what I am pretty sure was her own bicycle. Just fine by me.
Now at this point I walked up to the first wat, giddy with anticipation, and whipped out my camera. Turning it on my heart sank as I realized that I had forgotten to put my memory card back in my camera since the previous night. At first I thought, “what a disaster!” And then I walked a little further and I told myself, “Well, Gabe, maybe this is just the Universe telling you that today you should not experience this place from behind a lens. Maybe the Universe is telling you that you should embrace this experience to the fullest without trying to record it and just live it.”
This made me feel better though still a little sad as the first wat, The Unrecorded Wat, was pretty spectacular and there were no bars or gates blocking off the stairs that climbed the chedis so I went up and down them and got beautiful views of the temple grounds and the river slowly chugging away nearby. I even had a quiet moment at the top of one, sitting in an empty niche that at one point likely housed a seated Buddha statue waiting for a quick rain to pass.
Luckily for me (and for you) the Universe didn’t take long to knock me upside the head and remind me that I had a phone with a perfectly decent camera in it. Moron. Anyway, the rest of this post will be visual like the last one which no doubt must be pleasing any illiterates who happen to follow my blog.
On to the next temple, The Sunken Wat, which also pleased me immensely, primarily because half of it was flooded.
What I liked about this was not the flooding itself but the fact that it had been allowed to flood. This was what Old Sukothai was missing. Things had been a bit too manicured and spruced up. Yes, the Sunken Wat (and most of the others) was swarming with mosquitoes and other bugs, but it was a fair trade off for the experience of wandering between the columns and seeing the moss coat the old stone and brick. There looked to be very little restoration or disturbance of the site by modern humans.
I shot this pile of stones in sepia because why the hell not?
One contemporary touch was a small covering over one section of the wall that still had a bit of the original stucco. Apparently this curlicue style and medium is a borrow from India and is intended to look like carved wood.
The next wat I’m calling Crowded Chedis because it had easily as many shrines as the Main Wat in Sukothai but in a third of the space. So many different angles and views to see.

The tower in the background is another example of a lotus-bud chedi which I realize I didn't show very well in the last post.

Most of the chedis, particularly the minor ones are built with architectural niches on the sides to house Buddha statues. Because of the out-in-the-open nature of the site many of the statues were dramatically broken, much like the stereotypical Greek statue missing an arm or a head.

This was Elephant Wat even if they may look like lions from a distance (I dunno, that was my first instinct).
Get a bit closer though and their elephant nature comes through in the few details that remain.

The Buddha statues on the wat’s second level, somewhat protected by their niches, were unsurprisingly in much better shape than their animal counterparts below.
There were also two wats on the top of a hill on the northern edge of the site. I had hoped that would give me an awesome vista of the whole complex but unfortunately the trees were too thick and there were no real views to be had. On the plus side, these two temples were the most deeply embedded in the surrounding jungle and its wildlife.

ost fascinating was a very large flock of herons (or egrets). Some were small and white, others large with gray and dull-blue feathers. Don’t know if they were two different species or what but they congregated together without much problem. I tried to get some shots of them but they were extremely skittish. I couldn’t even get within 100 yards of them, even when they were in the tree tops, before they started winging away. But there were a lot of them and this little clip gives you a sense of their song which was this weird gargling warble (also shows the steps up to the hill temples).
But I think the aspect of the Si Satchanalai ruins that I liked the most were the “buddha ghosts”. That’s the name I gave to the dozens of statues and reliefs of seated and standing Buddhas that had become so weathered that they had melted away to just their laterite cores, leaving behind featureless but nonetheless haunting shades of their former selves.
I walked passed this large ghost in the Crowded Chedis several times before realizing that it was not just a platform but the core of a former seated Buddha. The diagonal line showing where his two folded legs once rested together and the very short stump rising from the top the beginning of his torso.

But this particular ghost was my favorite and probably the most breathtaking thing I saw all day. It’s hard to describe how it felt to turn the corner of this large chedi in a minor, outlying wat and discover this bare expression of the former statue. There was just something about the shape and form of this one that I found very moving. It seems almost primal, like a figure from a cave painting, which added to the spectral feeling I got from being around it. And for the art historians reading it clearly demonstrates that many of the statues are not free standing but are actually extremely high relief.

All in all, Si Satchanalai blew (and drew, Travis) Sukothai out of the water. It was the experience I was looking for and then some. Throughout the whole day I saw only a small handful of other tourists and for most of the time I was totally alone to explore the ruins and contemplate their ancientness and the ancients for whom they were once sacred sites. It was quiet, beautiful and properly ruined.
So if I recommend Old Sukothai – and I do – I recommend Si Satchanalai 100 times more.
* Ok, so there were no rolling boulders, poison darts or Nazis but this just felt so much more badass than Sukothai, and thus the Indiana Jones-ness of the experience. Also, right when I walked into the first wat a snake went scurrying up a column into a big hole right next to me, so I feel the title is justified.




































Since I have gotten here to Mae Sot I have been encouraged by many to be more active on this blog. It’s true, I haven’t posted very often and I’d like to be writing more, but I’m not. It’s not for want of things to say – those of you who know me and my ever-flappin’ jaw know I never lack for things to say. Nor indeed is it because there’s nothing interesting here to tell you all about. This has been an extremely thought-provoking experience.
So why am I wasting your time with descriptions of stray dogs and promises of tropical fruit (the fruit is coming by the way, I promise)? Well, let me see if I can express my predicament with an old slogan: “Loose Lips Sink Ships.” The program I’m working for, the IRC’s Legal Assistance Center, provides some legal services for people living in several of the camps for Burmese refugees here in Thailand. Doing this work means that LAC
works in partnership with a lot of people: there are the refugees themselves, there are the various elements of camp leadership, there are all the different Thai authorities involved in various aspects of the administration of the camp – police, army, municipal and provincial officials and others – there’s the Thai Ministry of Justice who is obviously an important partner in a program concerned with legal services in Thailand, and then finally there’s UNHCR.















