This post is my first step away from using this blog merely as a repository of travel stories which is good since I’d like it to become a place for both tales from the Road and reflections on weightier issues.
In the past few days, as I have been following the fallout of the Iranian presidential election in newspapers (my main source of information about the world) I have read repeatedly about the video of Neda Agha Soltan, the young Iranian woman whose final moments were captured by an amateur cameraman on a street in Tehran. While I had read descriptions of this video many times and had come to understand that it had inflamed international opinion and become a symbol for those protesting Mahmoud Ahmedinejad’s reelection I did not watch it myself until this afternoon, several days now since it first appeared on YouTube.
This 35 seconds of video is one of the most affecting and disturbing things I have ever witnessed. I was brought to tears. Even though I objectively knew what I was going to see when I clicked play I could never have prepared for the suddenness with which her blood poured across her face and the terrible mortal moment that it signals. Even more chilling for me was hearing the voices of the people around her as they came to realize, in the same moment as I did, that she was dying before their eyes and under their hands. As suddenly as her blood began to pour did the voices of the men surrounding her change from stern and worried shouts to shrieks of desperation. It was that jarring switch in tone that most unsettled me.
Watching this has sent my mind and emotions whirling in many directions. I hope I will take the time to write down all or most of my thoughts, at least for my own sake. But tonight I want to step back briefly from the intense emotional and political implications of the event and take a brief (and I hope not inappropriate) intellectual side trip.
It occurred to me as I thought about this video that the circumstances and the imagery are extremely familiar: an innocent individual among thousands of protesters, struck by a bullet, dying on the ground with someone crouching by their side. Two photographs in particular come my mind. The first is the 1970 image of Jeffery Miller, a student at Kent State University, who was shot and killed by National Guardsmen during an anti-war protest on campus. By his side is Mary Ann Vecchio, a unrelated bystander who rushed to Miller after he fell.

The second photo was one I had been introduced to only recently. It is the photo of Benno Ohnesborg, a young man shot by a West German policeman during a protest in 1967. Cradling his head is a stranger who was nearby.

The Kent State image electrified the US public at the time and continues to be a widely recognized image, even if many people no longer recall the circumstances of the scene. The shot became an icon in the generational culture wars rattling America in the early 70s and Jeffery Miller, one of four students who were killed that day, became a martyr. The photo of Ohnesborg reverberated similarly through West Germany at the time and remains an important symbol of the political upheaval the country was experiencing (I take this interpretation of the photo on faith from The New York Times and The Economist where I read about it after those two newspapers reported on the recent revelation that the West German policeman who shot Ohnesborg was in fact a mole planted by the Easy German Stasi).
As with Jeffery Miller and Benno Ohnesborg, it seems that Neda Soltan is quickly becoming a martyr for the anti-Ahmedinejad protesters. That the images of these three are so similar in composition and context speaks volumes to me about political struggle, journalism, cultural memory and a host of other topics. That it was these images of these individuals that have become icons says much about how people read visual meaning and the nature and fickleness of mass protests of these kinds. I will be interested to know if ten years from now Neda Soltan is still remembered and symbolized as she is today and if this video of her, shocking as it is, will have the proven staying power that these photos, and many others, have had on the world. I suppose we’ll just have to wait and see.
The taxis were fascinating creatures. There are apparently 60,000 of them on the road in Mumbai and it feels like it. Similar to the ubiquitous yellow cabs here in New York, Mumbai’s black and yellow taxis were everywhere. They were tiny little things. I couldn’t sit up straight in either the front of back seats and they were shorter than most modern cars. Indeed, every part of their design appeared to have been conceived in the 1950s and most of them looked and sounded like they’d been on the road since at least then. When I first saw them I thought they must be just like Cuba’s legendarily fleet of immortal cars that have been driving for 50+ years.
And, like the cabs, shrines, people and everything else, they are gaily decorated. They most prettiest smog belching behemoths I ever did see.


were able to grasp things with their hands again about an hour and a half after they first sat down while poor Janki, whose mehendi covered all the way up past her elbow as well as both feet had to wait patiently for almost 3 hours! The end result, of course, was fantastic.

